![]() ![]() And every president I know observed that.” ‘He’s not supposed to put his thumb on the system of justice. “Death penalty experts said they couldn’t recall a president dictating punishment of a terrorist defendant days after an attack, as investigators were still collecting evidence…’It puts a cloud over the system,’ George Kendall, a New York-based lawyer at the law firm Squire Patton Boggs, who specializes in death penalty litigation, said of Mr. And late yesterday, The Wall Street Journal assessed the potential damage: WHYY thanks our sponsors - become a WHYY sponsor At minimum, those defense moves could seriously slow the case. ![]() The Justice Department is supposed to be the final arbiter on whether to seek the death penalty, and if it were to recommend that punishment for Saipov, defense lawyers could cite the tweet and claim that the DOJ was improperly swayed by Trump. If Saipov goes to trial in federal court, defense lawyers could cite that tweet (plus others yesterday, plus a verbal remark that I’ll reference shortly) and claim that the jury pool has been polluted. DEATH PENALTY!” He apparently assumed that his capital letters and exclamation mark would somehow strengthen his point, but, for me anyway, it merely conjured the tyrannical Queen of Hearts in “Alice in Wonderland,” who sought to short-circuit a trial by declaring, “Sentence first, verdict afterwards!”Īnd by trying to throw his weight around, he potentially made life more difficult for the federal prosecutors whom he surely supports. Yesterday he tweeted that the case “Should move fast. Seriously, there are times when this guy can’t seem to find his own butt even with a map of the anatomy. He clearly wants Saipov punished to the max – heck, if Saipov is found guilty, we all want that – but once again, Trump’s toxic mix of authoritarianism and ignorance has intruded on our democratic proceedings. Leave it to Trump to gum up the federal court machinery in the case of alleged rent-a-truck terrorist Sayfullo Saipov. ![]() But apparently we have a lawless president who thinks otherwise. Good performances from the lead actors provide assured confidence in a film that will hit the right note with foreign film fans.According to the American rule of law, even the most detestable defendant deserves a fair trial, is presumed innocent until proven guilty with evidence beyond a reasonable doubt, and only then does a judge or jury determine a sentence that’s commensurate with the guilt. It also focuses on the essence of honesty between children and adults, the law-abiding and law-abusing – and who to take a side with, which often is overlooked in dramatic cinema for the cheap moment and thrill. Reminiscent in tone of the acclaimed Mads Mikkelsen film THE HUNT, QUEEN OF HEARTS overall is intelligently-conceived and shows the impact of conflict and consequence, right through to the very end of the film. Simplicity in drama will always yield strong dividends and amidst an occasional but very explicit sex scene, there is grounded truth in what all the characters feel in the film, complimenting a very solid structure of human relationships. Reference to ALICE IN WONDERLAND is inherent throughout as Anne and Gustav read the story to the young girls, but for Anne, this is a challenging world without wonder at times, only honest and brutal realities from her own life experience, reflecting the evolving emotions of a working mother who needs fulfilment on a variety of levels. The films of Lars Von Trier give audiences a sense that Danish cinema does go a little deeper than some other cultures when it comes to honest emotional and sexual reflection – and QUEEN OF HEARTS is another film that will certainly provide a more tender and forthright attitude to the family unit in cinematic terms. Her relationship with her husband, Peter (Magnus Krepper) is passable but has its’ own share of complications, not least in his stepson Gustav (Gustav Lindh), who arrives to stay with the family for a summer so he can continue his education and avoid some of the juvenile problems that have arisen from the after-effects of his parents’ separation.Īnne is certainly doing her best to offer him some additional support, but as the relationship evolves in this new context, sudden emotional and sexual needs heighten and envelope her own personal desires, which complicate the immediate relationships and world she inhabits. This year’s Danish entry for the 2020 Academy Awards Foreign Language category, May El-Toukhy’s family drama QUEEN OF HEARTS explores the complex consequences of family interaction.Īs a mother of twin daughters, Anne (Trine Dyrholm) seems to be the right candidate as a lawyer who deals exclusively with children and teenagers who are facing up to difficult situations on a variety of levels.
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